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The DC Studios logo is placed in a seedy Gotham alley

Story

Following the events of Batman (2022), Oz Cobb, aka the Penguin, takes the stage to seize control of Gotham’s criminal underworld. Aside from a Bat-signal in the final shot of the season finale, we never got our first glimpse of Robert Pattinson in “The Penguin.” In this short video, IMDb attempts to answer: Where the hell was Batman? Colin Farrell fought hard to get his own smoking tobacco version of The Penguin in Batman (2022), but he failed. However, in his own series, the character is depicted as an occasional tobacco user who prefers cigars. An umbrella falls, and the logo is changed to the Warner Bros.

Graham Norton and guests: Lady Gaga/Demi Moore/Colin Farrell/Richard Ayoade/Jack Savoretti (2024)

logo. HBO’s new show The Penguin, starring Matt Reeves as Batman (2022), is a gripping dive into Gotham City’s criminal underworld. The series, starring Colin Farrell as the titular character Oswald Cobblepot, aka The Penguin, expands on the gritty, gritty tone established by the film and offers fans a new yet familiar experience in the Batman universe. Unlike most superhero-related content, The Penguin focuses on the darker, more human elements of Gotham’s criminals, moving away from the caped crusader to focus on one of Batman’s most notorious foes. The story picks up immediately after the events of Batman, and the series explores The Penguin’s journey to fill the power vacuum left by Gotham’s criminal empire.

Colin Farrell’s performance Colin Farrell’s portrayal of the Penguin is nothing short of remarkable

With Carmine Falcon dead and Gotham’s infrastructure in chaos, Penguin seizes the opportunity to rise through the ranks, determined to solidify his control over the city’s crime syndicates. The focus is on his transformation from a jobber to a major crime lord, giving Penguin the feel of a mob drama that’s more akin to The Sopranos than a traditional superhero show. The show wisely avoids relying too heavily on Batman’s shadow, allowing Penguin to truly shine as the frontman. Without the overbearing presence of Gotham’s protector, it creates a new and interesting dynamic in which Oswald can operate freely in a morally ambiguous space. These narrative shifts feel fresh for the genre and add depth to Gotham’s crime world without being too focused on the superhero show.

Farrell brings layers to the character that go beyond the stereotypical villain’s portrayal

Physically unrecognizable in his prosthetic makeup, Farrell fully inhabits the character with a nuanced performance that balances the brutality of the mob boss with the insecurities and ambition that drive him. The Penguin is no longer just a deformed, umbrella-carrying caricature of a villain; instead, he is portrayed as a ruthless, calculated player in Gotham’s criminal hierarchy, making him both terrifying and strangely sympathetic. His Oswald Cobblepot is smart, manipulative, and ready to break bones, yet he is also a man driven by a deep-seated inferiority complex and a desire for respectability. Watching him navigate the treacherous waters of Gotham’s criminal underworld is compelling, and it provides a grounded approach to the character, making The Penguin a fascinating character study. Subtle Atmosphere and Tone In terms of atmosphere, The Penguin retains the same gritty, rainy aesthetic that fans loved in The Batman.

The dark, crime-ridden streets of Gotham are beautifully captured, emphasizing realism over comic book extravagance

The tone of the show is grim, violent, and suspenseful, reminiscent of neo-noir crime thrillers. Every scene is saturated with Gotham’s corruption and decay, and danger seems to lurk in every shadow. The production design is top-notch, with sets that feel like a natural extension of Reeves’ Gotham City.

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